Guimet research plan 2026 2030
Global or local : museographic
stakes for Asian art museums
past and present
The exhibition is at the same time a strategic tool for attractiveness , one of the
privileged forms of research promotion and an essential mechanism for sharing
knowledge . In a context of renewed public expectations and diversif ication of forms
of display , particularly in Asia where museums are experiencing considerable
expansion , this research axis intends to explore , from a comparative perspective ,
the practices and issues related to the presentation of Asian arts , in Europe as well
as in Asia . Research on the exhibition as an object of study has undergone
signif icant development over several decades , f irst in Germany and the United
States , and then more recently in France . The history of exhibitions , museology
and the sociology of the public have contributed to making this theme a booming
multidisciplinary f ield . As a follow - up to the conference " Exhibiting Asian Arts .
New Franco - Chinese Perspectives " organized by the Musée Guimet on June 8 ,
2024 , this program proposes to structure a sustainable ref lection on the modalities
of exhibition of Asian arts , through crossed and contextualized perspectives .
In particular , it will be a question of questioning the narratives and museographic
devices deployed according to the cultural , historical and geographical contexts .
How are Asian arts shown in Western museums ? Is this dif ferent from the way these
works are presented in an Asian context ? How is Western art , in turn , presented
in Asian museums ? This cross - sectional view , focused on the conception and
reception of exhibitions , invites us to think about the question of otherness
in museum practices of yesterday and today . Particular attention should also be
paid to permanent exhibitions , whose attractiveness issues are widely shared on
an international scale .
Chinese Archaeology Gallery on the First Floor of the musée Guimet
© musée Guimet Paris Vincent Leroux
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