Guimet research plan 2026 2030
Axis 3
History
of the collections
The history of the collections at hand , their provenances and their acquisition
methods have always been the subject of a heightened attention and vigilance
within museums and specif ically in the musée Guimet . However , in recent years ,
the questions regarding the object ’ s origins have taken on a specif ic prominence ,
following the renewed views and mindsets on the sensitive subject of the colonial
past and , more generally , on the presence of non - European collections in Western
museums . Indeed , if the musée Guimet has always taken into account the history
of its collections for which it is responsible as a major aspect of the research
surrounding them , it is certain that this renewed look and the complex questions
it now raises implies a more in - depth consideration of the historical , economic
and relational contexts in which these acquisitions were made and their primary
motivations . Recent work in this f ield and communications aimed at the countries
from which the works originate have already been set up with Afghanistan ( DAFA
Collections ) , China ( Pelliot collection in Dunhuang ) , Cambodia ( Delaporte ,
Aymonier and EFEO collections ) , Vietnam ( Carpeaux photographic collection ,
Champa art ) , sometimes in the context of institutional cooperations ( DAFA , Ministry
of Culture and Fine Arts of Cambodia , Dunhuang Academy ) . These exchanges
and scientific research on these fundamental matters will have to be further
strengthened in the years to come .
These research projects into origins and provenance makes it possible to gather
information for the inventory and documentation of objects , but also to reconstruct
their historical trajectories and to unpack the relationships and chains of ownership
involved , hence its essentiality today . This work requires a proactive and methodical
approach It involves cross referencing the most diverse sources and documented
results in the most rigorous and exhaustive way possible This is why over the next
five years a sponsorship contract will be dedicated to provenance research
a priority and fundamental axis of the museum s strategic research plan
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